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At Ballet Theater, [James] Whiteside is in demand. His classical variations are high-octane sprints; he lifts ballerinas like they’re feathers. His consummate athleticism allows him to be the versatile artist he is: modern or dashing, playful or tragic.

dcterms:bibliographicCitation

2021 March 10, Gia Kourlas, “Ballet Is Hard Enough. What Happens When You Lose a Year?”, in The New York Times‎[1]: