About: Whereas his music had once reflected his being caught between "opposed effects" (Solomon provides a particularly informative analysis of the andante/adagio movements of the middle seventeen-seventies, works that convey the sorrow he felt at his mother's death and the disintegration of the family structure), during the middle seventeen-eighties he used music to place himself in a new line of succession, with Haydn his conscriptive father substitute.     Permalink

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