About: It’s to realize that Moon Frye, by cheerfully surveilling her own life, and those first Real Worlders, by agreeing to the constant presence of producers and cameras, were the harbingers of today’s culture, in which self-image is shaped in the expectation of a lens and personhood collates with brand identity.

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About: It’s to realize that Moon Frye, by cheerfully surveilling her own life, and those first Real Worlders, by agreeing to the constant presence of producers and cameras, were the harbingers of today’s culture, in which self-image is shaped in the expectation of a lens and personhood collates with brand identity. Sponge NotDistinct Permalink

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rdf:value	It’s to realize that Moon Frye, by cheerfully surveilling her own life, and those first Real Worlders, by agreeing to the constant presence of producers and cameras, were the harbingers of today’s culture, in which self-image is shaped in the expectation of a lens and personhood collates with brand identity. (en)
Bibliographic Citation	2021 March 26, Alexis Soloski, “‘Kid 90’ and the Days When Even Wild TV Teens Had Privacy”, in The New York Times‎[1], →ISSN: (en)
is skos:example of	dbnary-eng:__ws_1_harbinger__Noun__1

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