About: His [Jean Racine’s] tragedies are not poetry, are not passion, are not imagination: they are a parcel of set speeches, of epigrammatic conceits, of declamatory phrases, without any of the glow, and glancing rapidity, and principle of fusion in the mind of the poet, to agglomerate them into grandeur, or blend them into harmony.

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About: His [Jean Racine’s] tragedies are not poetry, are not passion, are not imagination: they are a parcel of set speeches, of epigrammatic conceits, of declamatory phrases, without any of the glow, and glancing rapidity, and principle of fusion in the mind of the poet, to agglomerate them into grandeur, or blend them into harmony. Sponge NotDistinct Permalink

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rdf:value	His [Jean Racine’s] tragedies are not poetry, are not passion, are not imagination: they are a parcel of set speeches, of epigrammatic conceits, of declamatory phrases, without any of the glow, and glancing rapidity, and principle of fusion in the mind of the poet, to agglomerate them into grandeur, or blend them into harmony. (en)
Bibliographic Citation	1820, William Hazlitt, “Explanations—Conversation on the Drama with Coleridge” in Dramatic Essays London: Scott, 1895, p. 197,[1] (en)
is skos:example of	dbnary-eng:__ws_1_agglomerate__Verb__1

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