About: According to [Gustave] d'Outrepont, Paris is the boy's metaphoric mother, rocking and nursing him in the streets. Attending all municipal events, street spectacles, and popular theater (where he managed by his wits to get in for free), the gamin is constructed in dualities: child and man, cowardly and brave, serious and laughing, cruel and sympathetic.       Sponge   NotDistinct   Permalink

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  • According to [Gustave] d'Outrepont, Paris is the boy's metaphoric mother, rocking and nursing him in the streets. Attending all municipal events, street spectacles, and popular theater (where he managed by his wits to get in for free), the gamin is constructed in dualities: child and man, cowardly and brave, serious and laughing, cruel and sympathetic. (en)
Bibliographic Citation
  • 2017, Marilyn R. Brown, “The Gamin de Paris and the Revolution of 1830”, in The Gamin de Paris in Nineteenth-century Visual Culture: Delacroix, Hugo, and the French Social Imaginary, New York, N.Y., Abingdon, Oxfordshire: Routledge, →ISBN, pages 39–40: (en)
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