About: [Bruce] Gilden may be shoving these broken faces in our faces to confront us with what we usually choose to look away from. But his style seems to work against any intention to humanise his subjects. First and foremost, I feel uncomfortable as a viewer – not because of the poverty or abuse etched on to the landscapes of these faces, but because their perceived ugliness is paraded as a kind of latter-day freak show.       Sponge   NotDistinct   Permalink

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  • [Bruce] Gilden may be shoving these broken faces in our faces to confront us with what we usually choose to look away from. But his style seems to work against any intention to humanise his subjects. First and foremost, I feel uncomfortable as a viewer – not because of the poverty or abuse etched on to the landscapes of these faces, but because their perceived ugliness is paraded as a kind of latter-day freak show. (en)
Bibliographic Citation
  • 2015 August 19, Sean O'Hagan, “A latter-day freak show? Bruce Gilden’s extreme portraits are relentlessly cruel”, in The Guardian‎[1], London, archived from the original on 15 October 2017: (en)
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