About: For all that this was an era in which the London sculpture world seemed to lose any sense of cohesive direction, the spirit of invention had its occasional triumphs that gave succour to those of nationalist opinion who expected this to be a new dawn.

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About: For all that this was an era in which the London sculpture world seemed to lose any sense of cohesive direction, the spirit of invention had its occasional triumphs that gave succour to those of nationalist opinion who expected this to be a new dawn. Sponge Distinct Permalink

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rdf:value	For all that this was an era in which the London sculpture world seemed to lose any sense of cohesive direction, the spirit of invention had its occasional triumphs that gave succour to those of nationalist opinion who expected this to be a new dawn. (en)
dcterms:bibliographicCitation	2007, Matthew Craske, “Post-Reform: The Fruition of Nationalist Strategems”, in The Silent Rhetoric of the Body: A History of Monumental Sculpture and Commemorative Art in England, 1720–1770, New Haven, Conn., London: Yale University Press [for the] Paul Mellon Centre for Studies in British Art, →ISBN, page 176: (en)
is skos:example of	dbnary-eng:__ws_1_new_dawn__Noun__1

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